The Rewatchables

‘Sneakers’ With Bill Simmons, Kyle Brandt, and Joanna Robinson

October 14, 2025

Key Takeaways Copied to clipboard!

  • The consensus among the hosts of *The Rewatchables* is that the movie *Sneakers* is significantly underrated and underseen, especially by younger generations. 
  • The film *Sneakers* is praised for being remarkably prescient regarding themes of data control, cybersecurity, and the shift from physical power to information control in the post-Cold War era. 
  • The poor marketing of *Sneakers*—specifically its confusing title and awful poster—is cited as a major factor contributing to its lack of mainstream recognition compared to contemporaries like *The Shawshank Redemption*. 
  • The James Earl Jones cameo at the end of *Sneakers* is universally celebrated as a perfect, exhilarating moment that elevates the film's conclusion. 
  • Ben Kingsley's performance as Cosmo is heavily scrutinized, with the hosts noting his overly intense, disconnected energy and particularly poor running form compared to Robert Redford's poise. 
  • The film is rich with specific 1992 cultural touchstones, including computer dating services, the Bay Area's geography, and political barbs against the Republican National Committee, which date the movie significantly. 
  • The discussion concluded with a debate over whether Robert Redford's consistent, seemingly perfect hair throughout his career suggests he wore a wig, leading to the idea of a spin-off podcast dedicated to celebrity hairpieces. 
  • The hosts debated casting alternatives for *Sneakers*, suggesting Tom Hanks was the perfect fit for Cosmo's role over Tom Cruise, and contrasting a Spielberg version with a hypothetical Scorsese version featuring De Niro and Pesci. 
  • The episode wrapped up with the hosts agreeing that the film's perceived datedness in technology compared to later spy thrillers like *Enemy of the State* is a major factor in its current appeal, despite its strong cast and memorable scenes. 

Segments

Initial Praise for Sneakers
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(00:01:02)
  • Key Takeaway: Kyle Brandt immediately champions Sneakers as the most underrated movie of the entire 1990s due to its blend of suspense, comedy, and romance.
  • Summary: Kyle Brandt expressed that Sneakers is the most underrated movie of the 1990s, citing its delightful mix of suspense, comedy, romance, and action. He noted that younger audiences often do not know the film, which prompted the rewatch. Joanna Robinson agreed, calling it a ‘perfect movie’ and mentioning they watched it the night Robert Redford died.
Sneakers as a Cultural Password
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(00:03:36)
  • Key Takeaway: Liking Sneakers functions as a cultural password or immediate bond between people who discover a shared appreciation for the film.
  • Summary: The shared love for Sneakers acts as a litmus test, creating an immediate bond between fans, similar to finding a fellow enthusiast of an obscure band. Revealing the incredible cast, including Robert Redford, Sidney Poitier, River Phoenix, Dan Aykroyd, and Ben Kingsley, often convinces skeptics to watch it. Introducing someone to the movie successfully makes the recommender look like a ‘movie Sherpa.’
Bill Simmons’ Late Discovery
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(00:05:20)
  • Key Takeaway: Bill Simmons initially missed Sneakers in 1992 due to a snobbish aversion to computer-centric themes prevalent during his college years.
  • Summary: Bill Simmons admitted he did not see Sneakers when it premiered in 1992 because he was a senior in college and held a snobbish attitude toward early computer culture. He only recently rewatched it multiple times and realized how far ahead of its time the movie was regarding its themes. He suggests the film’s poor SEO and confusing title made it hard to discover later.
Critique of Title and Marketing
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(00:07:04)
  • Key Takeaway: The film’s title, poster, and tagline were all terrible, actively hindering its mainstream success and legacy.
  • Summary: The title Sneakers is considered off-putting and confusing, leading people to believe it is about footwear, and the poster was awful, minimizing the star power. The tagline, ‘We’d tell you what this movie is about, but then we’d have to kill you,’ was also deemed terrible. Bill Simmons suggested ‘Too Many Secrets’ as a superior, more descriptive title.
Prescient Cyber Themes
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(00:15:27)
  • Key Takeaway: Sneakers is highly prescient, articulating the future dominance of information control over physical assets years before the internet boom.
  • Summary: Quotes from the film highlight its foresight: ‘It’s not about who’s got the most bullets. It’s about who controls the information,’ and ‘It’s run by little ones and zeros, little bits of data.’ The movie is viewed as one of the first ‘Silicon Valley movies’ or ‘cyber capers,’ capturing the Bay Area ethos before the tech explosion. The film’s themes are considered eternally relevant due to its focus on data control.
Comparison to War Games
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(00:16:53)
  • Key Takeaway: Sneakers contains significant DNA from War Games, serving as a spiritual successor that shifted the focus from nuclear threat to digital paranoia.
  • Summary: The hosts noted that War Games (1983) is the origin story for Sneakers, as the screenwriters researched phone freakers and black hat culture from that film. Both movies feature similar crowded monitor scenes and use random, seemingly irrelevant dialogue to establish character relationships amidst high stakes. War Games addressed Cold War nuclear panic, while Sneakers pivoted to the emerging threat of computer control.
The Ensemble Cast and River Phoenix
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(00:20:13)
  • Key Takeaway: The ensemble cast, featuring multiple Oscar winners, loved working together, though River Phoenix was intentionally cast in a light, comic relief role for an ’easy money job’ after intense prior work.
  • Summary: The team includes Robert Redford (Martin Bishop), Sidney Poitier (Donald Crease), Dan Aykroyd (Ray Zalinsky), Ben Kingsley (Cosmo), and River Phoenix (Carl). River Phoenix reportedly took the role because he wanted an easy job after filming My Own Private Idaho and enjoyed working with Redford and Aykroyd. David Strathairn (Whistler) is highlighted as an all-time great character actor who never achieved leading-man status.
Director Phil Alden Robinson’s Career Arc
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(00:30:33)
  • Key Takeaway: Director Phil Alden Robinson leveraged the success of Field of Dreams to fund Sneakers before transitioning into documentary filmmaking and leadership roles within Hollywood guilds.
  • Summary: Robinson, who also directed Field of Dreams, used his ‘blank check’ from that success to make Sneakers. He later moved away from feature films to direct documentaries for Nightline and became heavily involved in leadership positions at the Writers Guild of America and the Motion Picture Academy. The film’s heavy-handed political messaging at the end is attributed to the director’s strong convictions.
Cosmo’s Ideology and Redford’s Reaction
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(00:44:07)
  • Key Takeaway: Ben Kingsley’s villain, Cosmo, preaches radical financial equity, forcing the audience to question whether the film supports his revolutionary goals or condemns his methods.
  • Summary: Cosmo’s monologue argues that money’s greatest power is enabling bad people to exploit the poor, suggesting a goal of financial equity. Robert Redford excels as the ‘straight man’ counterpunching these eccentric characters, using subtle reactions like narrowing his eyes to show his internal processing. The film presents a generational theme: what happens when idealistic 60s revolutionaries become cynical, dark figures in the 90s?
Rivet of the Sound Clue
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(00:46:07)
  • Key Takeaway: The scene where the team deduces Marty’s location by analyzing the sound of the Dunbarton Bridge concrete seams is considered a riveting sequence, despite some viewers finding the premise unbelievable.
  • Summary: The cocktail party scene, where Whistler identifies the location based on sound cues, is a highly rewatchable moment for the hosts. A nitpick arose regarding the number of Bay Area bridges mentioned versus the number actually existing, though the context supported the four bridges named. Kyle Brandt noted that Dan Aykroyd’s pronunciation of ‘Dunbarton’ was notably strange for a Bay Area native.
Bay Area Bridges and Dan Aykroyd
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(00:47:28)
  • Key Takeaway: Dan Aykroyd’s pronunciation of the ‘Dunbarton’ bridge is noted as a distinct, incorrect accent feature for Bay Area natives.
  • Summary: The discussion began by counting the Bay Area bridges mentioned in the film, noting five total but only four relevant if starting from San Francisco. The pronunciation of the Dunbarton bridge by Dan Aykroyd was highlighted as sounding strange to those familiar with local traffic reports. This led to a brief comparison with the pronunciation of ‘Stratharne’.
Kingsley Intercom Scene
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(00:48:30)
  • Key Takeaway: Ben Kingsley’s use of the intercom in the building scene is appreciated for its classic villain trope execution.
  • Summary: The scene where Ben Kingsley uses the intercom to summon Mary McDonnell was praised. The speakers enjoyed the trope of villains using building intercoms for dramatic effect. This moment was immediately followed by a reference to McDonnell’s character, Liz, suggesting she is often the target of such demands.
James Earl Jones Cameo Praise
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(00:49:06)
  • Key Takeaway: James Earl Jones’s late-film appearance is considered an ‘Apex Mountain’ moment, comparable to receiving a ‘hot fudge Sunday.’
  • Summary: The appearance of James Earl Jones was lauded as a fantastic cameo during his peak career period, alongside films like Field of Dreams and The Sandlot. His entrance is described as an unexpected gift that elicits a huge reaction from the audience. The hosts noted that Rob Mahoney, who saw the film for the first time recently, experienced this crowd reaction.
The Heist and Final Requests
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(00:50:02)
  • Key Takeaway: The final sequence, including the character’s individual demands to James Earl Jones, is a high point of the film’s payoff.
  • Summary: After the main heist, the subsequent scene where James Earl Jones grants the team’s requests is highly valued. Dan Aykroyd requests a Winnebago with a burgundy interior, Sidney Poitier wants a trip to Europe and Tahiti, and Whistler asks for peace on earth. Jones’s final line, ‘None of this happened,’ seals the deal for the government cover-up.
Kyle and Joanna’s Rewatchable Scenes
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(00:51:57)
  • Key Takeaway: Kyle Brandt champions the entire Werner Brandis sequence, while Joanna Robinson favors the cocktail party scene involving the Scrabble tiles.
  • Summary: Kyle nominated the entire Werner Brandis sequence, including the identification of his office and the 180 IQ moment, as his most rewatchable part. Joanna selected the cocktail party scene, emphasizing the tension created by the simultaneous Scrabble tile sequence and the team messing with the black box. The difficulty of making hacking look interesting was noted, suggesting Scrabble tiles were an effective visual aid.
1992 Aesthetics and Redford’s Wardrobe
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(00:53:11)
  • Key Takeaway: Robert Redford’s light wash straight-leg dad jeans and his baseball jacket are cited as peak 1992 fashion, with debate over whether the jacket is the same one from The Natural.
  • Summary: The discussion turned to the most 1992 aesthetic elements of the film. The jacket Robert Redford wears sparked a debate, with some claiming it is the exact same jacket from The Natural, though ‘half-ass internet research’ suggested otherwise. Other 1992 elements included Mary McDonnell’s feathered hair and the use of the Fox Theater as the team’s lair.
References to Other Redford Films
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(00:54:00)
  • Key Takeaway: Sneakers is filled with subtle references to Robert Redford’s past work, including Union College being the setting for The Way We Were and the character name Martin Bishop being from Three Days of the Condor.
  • Summary: The film appears to function as a meta-commentary or ‘Robert Redford fan fiction’ due to its numerous internal references. The college attended by Marty Bishop and Cosmo is the same as in The Way We Were. Furthermore, Marty Bishop’s name is a direct nod to Three Days of the Condor.
1992 Bay Area Economics and Politics
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(00:54:44)
  • Key Takeaway: The film’s depiction of the team affording a lair in the 1992 Bay Area and its explicit political ending feel distinctly dated.
  • Summary: The ability of the hackers to afford their lair in the 1992 Bay Area was questioned, given the high cost of living. The movie concludes with a national news report announcing the bankruptcy of the Republican National Committee and simultaneous donations to Amnesty International, Greenpeace, and the UNCF, which felt very specific to the 1992 political climate.
Computer Dating Tropes
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(00:55:15)
  • Key Takeaway: The plot point involving computer-matched dating services is a prime example of technology that has aged poorly, contrasting sharply with modern apps like Tinder.
  • Summary: The concept of manipulating a computer dating service was identified as an element that ages poorly, as the technology is now obsolete. The speakers compared it to modern dating apps like Tinder or Bumble. The scene where Cosmo claims a computer matched him with his partner was deemed unrealistic in the present day.
Siskel’s Misidentification and Political Digs
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(00:56:28)
  • Key Takeaway: Gene Siskel introduced Sneakers by notably highlighting Timothy Busfield from thirtysomething over Dan Aykroyd, and the film contains direct, un-protested digs at George H.W. Bush.
  • Summary: In a clip from a Siskel & Ebert review, Gene Siskel introduced the film by mentioning Timothy Busfield from thirtysomething before Dan Aykroyd, suggesting thirtysomething’s cultural relevance at the time. The movie also features a direct dig at George H.W. Bush regarding homelessness, which the hosts note would cause massive backlash today.
What’s Age the Worst/Best Categories
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(00:58:05)
  • Key Takeaway: The screenwriting trope of naming a loathsome character ‘Dick’ to set up a hero’s punchline is a recurring device, and the film’s depiction of information age paranoia is considered timeless.
  • Summary: The ‘Dick’ naming convention, which allows Robert Redford’s character to deliver the line, ‘Oh, I can’t tell you what a relief that is… Dick,’ was identified as a successful screenwriting hack used in films like The Breakfast Club and RoboCop. Information age paranoia and emotionally stunted men in Silicon Valley were cited as elements that aged well.
Ben Kingsley’s Running and Accents
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(01:09:21)
  • Key Takeaway: Ben Kingsley’s running style in the film is singled out as hilariously bad, contrasting with Robert Redford’s smooth movement, and his inconsistent accent choices are criticized.
  • Summary: Ben Kingsley’s run when retrieving the box is deemed terrible, resembling a trot or someone running on ice, leading to the coining of the ‘Steven Seagal Award for we should have gotten you a running double.’ The hosts also noted that Kingsley seems to be playing a character from a completely different, more serious film, trying too hard compared to the fun everyone else is having.
The Black Box Technology
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(01:08:30)
  • Key Takeaway: The core technology, the black box capable of hacking anything, is considered a ‘magic box’ whose mechanics are intentionally left unexplained, similar to the Tesseract.
  • Summary: Kyle admitted he has no idea how the encryption-breaking chip works, viewing it as a magical plot device rather than realistic technology. The hosts agreed that mathematically, such a device likely did not exist in 1992. The box’s function is accepted by the audience because everyone in the film wants it.
Best Score and Cinematography
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(01:02:17)
  • Key Takeaway: The James Horner score is praised for its weird combination of smooth 90s saxophone (Brentano Marsalis) and haunting, almost Tim Burton-esque vocals, while the shot of Redford falling near Alcatraz is a standout visual.
  • Summary: The score is recognized as a weird blend of styles, featuring smooth saxophone work and strange, almost Christmas-like vocals alongside the piano-off-a-cliff sounds. A key visual moment nominated for the Great Shotgord Award is Robert Redford being thrown from the car with Alcatraz visible at sunrise. The reflection of the code on Whistler’s glasses is also considered an iconic image.
Needle Drop and Character Names
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(01:05:17)
  • Key Takeaway: The best needle drop is the scene where characters sing ‘Bad Bad Leroy Brown’ in Chinese during Werner Brandis’s karaoke sequence.
  • Summary: The karaoke scene featuring the Chinese rendition of ‘Bad Bad Leroy Brown’ was unanimously selected as the best needle drop. Werner Brandis’s first aid move involving dim sum and karaoke was rated a 10 out of 10. The best character name was deemed to be ‘Whistler,’ a blind man.
Dan Aykroyd’s Conspiracy Character
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(00:59:21)
  • Key Takeaway: Dan Aykroyd’s conspiracy theorist character traits were largely improvised and based on his real-life brother, suggesting the character was developed late in production.
  • Summary: The hosts noted that the conspiracy theorist elements added to Aykroyd’s character were not fully formed initially. Aykroyd reportedly based the character’s quirks on his brother, implying the role was fleshed out during filming. This was seen as a way to compensate for him not playing the lead role of Cosmo.
Redford’s Last Great Film
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(01:20:42)
  • Key Takeaway: Joanna Robinson argues that Sneakers is Robert Redford’s best film of the 1990s and potentially his last truly great film performance, excluding his Marvel appearances.
  • Summary: Joanna asserted that Sneakers stands clearly above Redford’s other 90s output, including Quiz Show (which he directed). The consensus was that this film represents the end of his run of great starring roles before his later directorial work and MCU appearances.
The Slow Walk vs. Mission Impossible
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(01:21:16)
  • Key Takeaway: Marty Bishop’s slow walk across Cosmo’s office is considered more impressive and physically demanding than any stunt Ethan Hunt performs in the Mission: Impossible franchise.
  • Summary: Kyle recounted practicing the slow walk as a child, emphasizing its difficulty, especially given Redford was 56 and had been recently knocked unconscious. The poise, focus, and precise speed required for the walk are contrasted with the physical training Ethan Hunt undergoes. The segment highlights the scene as a masterclass in tension and physical acting.
Recasting Couch and Age Discrepancies
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(01:14:07)
  • Key Takeaway: Willem Dafoe is suggested as a strong recasting choice for Cosmo due to his ability to portray someone who has ’lost his marbles,’ and the age gap between Robert Redford (56) and Ben Kingsley (47) as ‘old buddies’ is noted.
  • Summary: Willem Dafoe was proposed as a replacement for Ben Kingsley’s Cosmo, fitting the requirement for an actor who has ’lost his marbles.’ The age difference between Redford and Kingsley was pointed out as slightly odd for characters portrayed as long-time friends. Kevin Costner was also suggested as a potentially funnier lead.
Carl’s Induction into Hall of Fame
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(01:19:46)
  • Key Takeaway: Carl (played by Dan Aykroyd) is officially inducted into the ‘Rudy Rudiger Horny Hall of Fame’ based on his success in getting River Phoenix’s desired phone number.
  • Summary: Carl earned induction into the ‘Rudy Rudiger Horny Hall of Fame’ alongside characters like Joel Goodson from Risky Business. His induction was secured by successfully obtaining the phone number for the woman Whistler was interested in. The hosts also debated whether a hypothetical 1992 poster advertising a River Phoenix sex scene would have improved the film’s box office.
Hanks vs. Cruise Casting
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(01:35:57)
  • Key Takeaway: The role of Cosmo in Sneakers is considered a perfect Tom Hanks role, though imagining Tom Cruise in it raises humorous hypotheticals about his need for speed.
  • Summary: The consensus favored Tom Hanks for the role of Cosmo, noting it suits his style. A hypothetical casting of Tom Cruise would require the character’s office to be re-engineered to accommodate Cruise’s known preference for high speed. The discussion also touched upon how an older Cruise (circa 2005) might look as Cosmo, referencing his Magnolia and Vanilla Sky aesthetics.
Scorsese vs. Spielberg Directing
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(01:37:04)
  • Key Takeaway: The film’s tone is inherently Spielbergian, contrasting sharply with how Martin Scorsese would have directed it with De Niro as Bish and Pesci as Cosmo.
  • Summary: Spielberg was identified as the clear director for Sneakers due to its existing tone. A Scorsese version would drastically change the movie, likely resulting in a much more aggressive and profane atmosphere, exemplified by imagined dialogue involving pepperoni pizza.
Hoffman’s Potential Role
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(01:37:25)
  • Key Takeaway: Philip Seymour Hoffman would have been suited for Dan Aykroyd’s part or, alternatively, River Phoenix’s role based on his earlier, doofy character work in films like Twister.
  • Summary: The hosts speculated that Philip Seymour Hoffman could have played Dan Aykroyd’s character. They recalled Hoffman’s early career roles, such as Dusty in Twister, suggesting he could have fit the younger, more awkward parts in Sneakers.
Ceiling Vent Realism Nitpicks
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(01:37:57)
  • Key Takeaway: Movie depictions of crawling through ceiling vents are unrealistic, ignoring the presence of rodent droppings, darkness, and the typically small size of real vents.
  • Summary: The ease with which characters crawl through ceiling vents in movies is highly unrealistic, as real vents would be filled with filth and be too small for passage. One host admitted to checking public bathroom vents to assess personal escape routes, referencing Mission: Impossible 1 as another example of unrealistic vent navigation.
Cosmo’s Motivation Questioned
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(01:40:06)
  • Key Takeaway: Cosmo’s ultimate goal for stealing the black box remains ambiguous, oscillating between pure disruption and a desire for wealth redistribution, which conflicts with his violent actions.
  • Summary: The hosts questioned why Cosmo desired the black box so intensely, speculating his plan was either general disruption or an insane desire to redistribute wealth evenly. This alleged socialist/communist utopia goal is undermined by his violent behavior, such as murdering his best friend.
Mary McDonnell Haircut Observation
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(01:41:22)
  • Key Takeaway: Robert Redford and Mary McDonnell shared the exact same feathered haircut in Sneakers, a style popularized by Ghost two years prior.
  • Summary: The identical, feathered haircut worn by both Redford and McDonnell was noted as a popular style following Demi Moore’s look in Ghost. The hosts suggested the actors could have swapped wigs mid-movie without the audience noticing.
McDonnell’s Final Scene Blunder
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(01:42:03)
  • Key Takeaway: Mary McDonnell’s character ruins the heist’s success by needlessly talking about computer dating right after securing the objective, mirroring a costly on-field mistake in sports.
  • Summary: McDonnell’s character is criticized for blowing the successful heist by making an unnecessary comment about computer dating immediately after securing the objective. This action is compared to a costly penalty like a football player holding the ball short of the goal line.
Sidney Poitier’s Travel Stipulation
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(01:42:43)
  • Key Takeaway: Sidney Poitier’s character only promises first-class airfare to Europe and Tahiti, neglecting to mention accommodations, which is an incomplete promise for such an expensive trip.
  • Summary: The final scene’s promise from Sidney Poitier’s character only covers airfare for the trip, leaving out hotels or other necessary accommodations. The hosts felt the promise should have been explicitly ‘all expenses paid’ to be complete.
Sequel/Prequel Potential
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(01:43:27)
  • Key Takeaway: A Sneakers 2 sequel is unlikely to succeed without the original core cast, though a prequel focusing on how Crease was kicked out of the CIA is deemed viable.
  • Summary: The hosts generally dismissed the idea of a Sneakers 2 due to the absence of key actors like Redford, Poitier, and Phoenix, suggesting a successor would likely feature a younger actor. However, a prequel detailing Crease’s exit from the CIA was considered a strong possibility.
San Francisco Movie Ranking
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(01:48:21)
  • Key Takeaway: Sneakers is considered a top-tier, Level 1 San Francisco movie by one host, while another host ranks 48 Hours higher due to its more identifiable city landmarks.
  • Summary: Sneakers was ranked highly as a San Francisco film, though one host felt it lacked sufficient identifiable city landmarks compared to 48 Hours. 48 Hours is cited for its use of Chinatown, bridge shots, and car chases navigating the city’s hills.
Unanswerable: Redford’s Hair
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(01:53:33)
  • Key Takeaway: The unanswerable question is whether Robert Redford wore a wig throughout his career, as he maintained an unusually full head of hair well into his later years.
  • Summary: The debate centered on whether Robert Redford’s consistently full head of hair, especially from the 1970s onward, was natural or required a wig or hairpiece. The argument for a wig is based on the lack of comparable examples of men maintaining such lush hair into old age.
Memorabilia and Life Lessons
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(01:58:08)
  • Key Takeaway: The best piece of memorabilia from Sneakers is a 1992 San Francisco 49ers hat worn by the team, and the best life lesson is to check strangers’ shoes to gauge interaction importance.
  • Summary: The 1992 49ers hat worn by the team was selected as the most desirable piece of movie memorabilia. The life lesson derived from the film involves observing footwear, specifically referencing the moment Redford asks Phoenix about the expensive shoes of approaching individuals.
Best Double Feature Choice
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(01:59:07)
  • Key Takeaway: The best double feature pairing for Sneakers is Patriot Games, creating a day focused on espionage, technology, and starring Robert Redford and Harrison Ford.
  • Summary: The top double feature choice was Patriot Games, which aligns with Sneakers through themes of spying and technology. This pairing also allows for a full day of viewing films starring Robert Redford and Harrison Ford.