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- Jen Agg advocates for treating bar/counter seating as an equal, desirable dining option rather than an inferior annex, challenging the common instinct of service staff to apologize for offering it.
- Openly sharing one's flaws, as Jen Agg does in her memoir, can serve as a protective mechanism by disarming potential critics and self-selecting the right audience.
- The cultural discomfort surrounding nudity and sex, exemplified by Instagram's rules, is seen as a prudish societal construct that does more harm than good, contrasting with the freedom found in open expression.
- Jen Agg finds John Irving's *A Prayer for Owen Meany* deeply resonant due to its themes of fulfilling a preordained purpose and the connection she feels to Owen Meany as a confident outsider, despite her own spiritual antithesis to the book's religious elements.
- Jen Agg believes her strength of conviction in her career and advocacy stems from having been deeply loved as a child, highlighting the foundational role of early love in adult confidence.
- Neil Pasricha strongly endorses 'fussy' behavior as a virtue essential for creating art, demonstrating vision, and achieving one's goals, contrasting with the potential negative connotation of the word.
Segments
Recording Location and Le Swan History
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(00:00:04)
- Key Takeaway: Le Swan, Jen Agg’s current restaurant, occupies the space of the iconic 1990s Toronto restaurant Swan, which was formative for her due to its focus on service and comfort food.
- Summary: The recording takes place at Le Swan, a restaurant Jen Agg now owns, which was previously the influential Swan restaurant from her youth. Swan was notable in the mid-90s for taking service seriously and executing comfort food well, playing music like Built to Spill and Guided by Voices. Agg notes that The Black Hoof’s later impact was amplified by the backing of social media, unlike the original Swan.
Restaurant Aesthetics and Fussiness
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(00:02:08)
- Key Takeaway: The physical space of Le Swan has been entirely resurfaced and refinished, though it retains the ‘bones’ of the original Swan, featuring burgundy booths and a zinc bar.
- Summary: The current Le Swan features burgundy booths and a zinc bar, with everything having been resurfaced or refinished to maintain an aged appearance. Agg embraces her ‘fussiness,’ exemplified by her preference for the color ‘burgundy’ over ‘maroon’ for the booths. The restaurant initially used red curtains to combat the unusually cold Toronto spring weather in early June.
Bar Seating Philosophy
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(00:04:24)
- Key Takeaway: Service staff should never apologize for offering bar seating, as it is an equally valuable and often more pleasurable experience offering greater customer agency and interaction.
- Summary: Agg trains staff never to ask if bar seating is acceptable when tables are full, as bar seating is inherently awesome and interactive. Dining alone at the bar allows for immersion in the restaurant experience with controllable social interaction with the bartender. Counter seating is differentiated from standard bar stools by its lower height, resembling diner stools.
Comfort in Dining Alone
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(00:06:54)
- Key Takeaway: The ability to connect electronically via social media makes dining alone less lonely now, as one can maintain digital interaction while physically present in the restaurant.
- Summary: Both host and guest find increasing enjoyment in dining alone, noting that it offers solitude and agency in controlling social interaction. The presence of social media allows individuals to avoid feeling like a recluse or loser when eating solo by engaging digitally. A former employee at The Black Hoof who did not own a phone exemplified a desired state of being free and contemplative while dining alone.
Navigating Age-Gap Marriage
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(00:10:05)
- Key Takeaway: A healthy, wide age-gap marriage requires complete truthfulness regarding major life decisions, such as having children, and humor is a vital tool for coping with the existential dread of future loss.
- Summary: Jen Agg’s relationship with her husband, who is significantly older, has been successful partly because he handled the topic of children with complete honesty, stating he would have supported having a baby if she had wanted one. They openly discuss the sadness of anticipating her likely widowhood, using humor as a coping mechanism, referencing comedy as a way to face existential dread. Agg notes that her husband’s strength allows them to meet in the middle despite their age difference.
Typecasting and Closet Racism
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(00:14:13)
- Key Takeaway: The concept of ’type’ in dating is often a veiled expression of closeted racism, reflecting cultural standards of beauty rather than genuine compatibility.
- Summary: Agg asserts that continually stating a certain race is ’not my type’ is often closeted racism, as ’type’ is heavily wrapped up in cultural beauty standards. She notes that people she has loved have been vastly different, suggesting a lack of a common set of values among past partners. The host shares an experience where women he was interested in could not picture him at the top of a wedding cake, highlighting societal biases.
Formative Book 1: Trixie Belden
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(00:16:21)
- Key Takeaway: Trixie Belden books resonated with young Jen Agg due to the protagonist’s defiant, tomboyish nature and the subtle, complex emotional nuance in her friendships, which contrasted with other children’s series.
- Summary: Agg read Trixie Belden extensively during summers at her family’s remote cottage, finding the character’s defiance and emotional complexity superior to Nancy Drew or Hardy Boys. The series is retrospectively interpreted as containing strong subtext regarding lesbianism, evidenced by Trixie’s relationship with her best friend, Honey. Agg identified with Trixie as a tomboy, an identity her parents supported despite a high school counselor inappropriately suggesting she might be a lesbian.
Maintaining a Strong Voice
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(00:25:16)
- Key Takeaway: Maintaining a strong, unfiltered voice is achieved by pursuing the instinct to speak one’s thoughts immediately without strong self-editing, even if it risks career detriment or public dislike.
- Summary: Agg maintains her strong voice by acting on her immediate thoughts without heavy editing, a practice she notes is often penalized in women but celebrated in men within her industry. She believes that being so open about her flaws acts as a form of protection, disarming critics by preemptively offering all potential ammunition. This conviction is partly rooted in the security and privilege of being a deeply loved child.
Formative Book 2: The Sun Also Rises
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(00:37:45)
- Key Takeaway: The Sun Also Rises was influential due to Hemingway’s powerful, spare prose style, which Agg admired for years, even leading to a regrettable tattoo covering a motorcycle scar.
- Summary: Agg read The Sun Also Rises starting around age 14 because it was popular among her male friends, who were drawn to Hemingway’s perceived misogyny. She was deeply impressed by the writing style, particularly the powerful, spare sentences, and read it repeatedly for a decade. The book’s famous final line, ‘Yes, I said, Isn’t it pretty to think so?’ encapsulates the tragic, unfulfilled love between Jake and Brett, stemming from Jake’s war wound.
Nuance in Feminist Gains
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(00:49:02)
- Key Takeaway: Achieving necessary feminist gains currently supersedes the immediate need to unpack complex nuances regarding inherent differences in the pursuit of love.
- Summary: The speakers agree that while nuance exists in discussions about gender and love, the priority is securing fundamental gains for women first. They acknowledge that these complex conversations are reserved for trusted, smart female friends for now. This prioritization is strategic until sufficient progress is made.
Introducing Owen Meany
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(00:49:52)
- Key Takeaway: John Irving’s A Prayer for Owen Meany is a formative novel for Jen Agg, admired for its complex structure and themes of fate and faith.
- Summary: Jen Agg considers A Prayer for Owen Meany a masterclass in novel writing, having reread it 10 to 15 times. The book details the linked lives of Owen Meany and Johnny Wheelwright, focusing on destiny, faith, and martyrdom. Agg notes the book still resonates despite its deeply spiritual content being antithetical to her personal beliefs.
Resonance of Owen Meany’s Purpose
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(00:51:22)
- Key Takeaway: The concept of being born to fulfill a specific purpose, exemplified by Owen Meany training to save children from a grenade, strongly connects with Jen Agg.
- Summary: Agg relates to Owen Meany’s characterization as a confident outsider, noting his physical smallness and his dialogue being written in all caps. She found the narrative structure incredibly well-woven, confirming with Irving that he mapped the entire story out beforehand using storyboards. The character of Hester also left a lasting impression on her.
Discomfort with Small Talk
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(00:53:08)
- Key Takeaway: Jen Agg actively avoids social events involving small talk because she finds it boring and prefers deep connection or critical observation.
- Summary: Agg dislikes publisher events and finds small talk boring, often choosing to sit in a corner drinking wine and making fun of others with a preferred friend. She admits to being genuinely starstruck when meeting John Irving, which is rare for her, as she generally avoids intimidating heroes with fan interactions. She values graciousness, noting Irving was incredibly kind despite the awkward encounter.
Feminist Leadership and Purpose
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(00:56:14)
- Key Takeaway: Jen Agg views her primary purpose as being a leader in feminism to help younger women by cracking open doors previously opened by earlier feminists.
- Summary: While finding value in the creative expression of building restaurants, Agg feels her ultimate purpose is advocacy for women’s rights. She is certain that the change she desires will not be fully realized in her lifetime. Her goal is to widen the opening for future generations, building upon the work of those who came before her.
Host Reflections on Fussy Virtue
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(00:58:34)
- Key Takeaway: Fussiness is celebrated as a necessary trait for creating art, demonstrating vision, and achieving passion, as exemplified by the host’s own standards for the podcast.
- Summary: Neil Pasricha emphasizes that being fussy is good because it drives the creation of art and ensures vision is realized. He applies this standard to his podcast, striving for perfection in every chapter. He contrasts this with Jen Agg’s comment about liking to dine alone, which she humorously attributed to vanity.
Love vs. Being Liked
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(00:59:48)
- Key Takeaway: The security of being loved by close relations outweighs the need for general public approval or being liked.
- Summary: Jen Agg stated that friends are overrated and that she does not care if she is liked, provided she is loved by the people who matter to her. This sentiment deeply resonated with the host, who views it as a beautiful perspective on personal validation.
Impact of Childhood Love
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(01:00:20)
- Key Takeaway: Jen Agg attributes her current strength and success to the foundational, unending love she received during childhood.
- Summary: This statement profoundly affected the host, who is actively trying to improve his own parenting by coaching anger rather than reacting to it. The host suggests that Agg’s confidence as an artist and restaurateur is partly rooted in the infinite love she experienced as a child. This insight connects childhood nurturing to adult achievement.
Book Recap and Current Events
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(01:01:15)
- Key Takeaway: Jen Agg’s three books are Trixie Belden and The Secret of the Mansion, The Sun Also Rises, and A Prayer for Owen Meany, with the latter being timely due to John Irving’s recent political op-ed.
- Summary: The host lists Agg’s three recommended books, noting that The Sun Also Rises by Ernest Hemingway was also recommended by a listener earlier in the show. At the time of recording, John Irving had published an op-ed in the New York Times opposing the anti-abortion movement, which was shared by Agg.
Listener Feedback and Word Cloud
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(01:02:44)
- Key Takeaway: Hate mail is interpreted as a sign of success, and the word ‘it-getter’ was chosen as the word of the chapter, referring to those dedicated to deep engagement.
- Summary: The host reads negative feedback, stating that receiving hate mail confirms he is making an impact. The word cloud for this chapter included ‘it-getter,’ which Agg originally used to describe patrons of The Black Hoof who paid cash and waited in line. The host applies ‘it-getter’ to listeners curious about deep conversations and challenging their minds.